Wanderlift

Ridesharing for Adventurelovers • Co Founder, Design Lead, Product Manager

Abstract

Wanderlift is a startup founded by two University of Denver students that were frustrated that they couldn't get to the Rocky Mountains without a car. I joined the founding team to catalyze their mission with a complete brand, marketing, and app overhaul. After an aggressive year of execution and a near-acquisition, the product is no longer live, but the experience was extraordinary.


"Collectively, our users have shared over 10,000 miles together in just over 10 weeks"


Click Here to Download the full iOS app Sketch File

The first app
While the MVP app set the tone for the brand, homogeneous text hierarchy and some lengthy user flows made it difficult to navigate.


When I joined the founding team, two of my cofounders were already well-underway with an initial iOS version of their app. This version of the app was the initial product we launched in the Fall of 2016. From a design perspective, it emphasized photography by first displaying the end-location in a full-screen square card. Users could then tap on a card to view available rides to the location, and then dig-deeper into the flow to arrive at the ride they wanted. This original design was a good start, but lacked typographic hierarchy, scaleable UX decisions, and some key features like the ability for riders to request rides or for drivers to be able to view their payout information.

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Screen depth refinement
The redesign addressed some key typographic and brand issues, but the most significant improvement was a reduction in screens by half.


About halfway through Fall quarter, the team decided that we would spend a week in December redesigning and rebuilding the app on React for both iOS and Android users. Below are the user flows for the first and second versions of the app. Note the reduction in depth from the first version to the latest, as we were able to condense and insert features that would make the marketplace a smoother experience. The macro view will give you the best perspective on how much we were able to refine the experience down for the new product. The most dramatic improvement was compressing the lengthy post a ride flow into just one screen, regardless of whether the ride would be one-way or round-trip. Also notice that we were able to reduce the core navigation to just two screens without limiting the ability of a user to exit a process quickly, and without a traditional iOS tab bar. The primary black blocks on the left of the flows show the core screens in the app that the rest of the interactions stem from. These would traditionally represent tabs in an iOS app, but we were trying to make it as platform-neutral as possible.

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De-risking long distance ridesharing
We experimented with an immense variety of layouts inspired by other apps, competitors, and marketplaces, weighing typography, visuals, and information availability with pen and paper.


With the exact functionality down, we needed to start composing the building blocks of the system. Avoiding the restrictions of digital tools, we applied the design sprint methodology and turned to pen, sharpie, and paper to independently sketch-out our ideas. There are so many different ways to represent even something as simple as departure time, and we wanted to get it right for rebuilding the app from scratch, so we got as many ideas out as possible then came together to compare notes. A key question we asked during the design process was what key pieces of information would influence someone’s decision to purchase a ride. Getting into someone else’s car has been a little less scary thanks to other ridesharing apps, but going for a long distance trip is still a huge commitment. What may be more important to a long distance rider or driver vs. a short distance one? How can we convince someone that they’re experience will be positive? Our initial launch market would be college students, so how do we adjust the hierarchy of text for a more price sensitive audience? What are the pros and cons of customization for a post vs. standardization? These are just a handful of the points we touched on during the discussion.

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The final design
A cohesive visual language and standardized typographic system made a strong, reputable, and scalable interface. Subtle usage of color hinted the context of either posting or requesting a ride, ensuring user expectations of what they could interact with were fulfilled.


The end result combined careful planning, legibility testing, user feedback, scalability testing, and hours of prototyping. As mentioned earlier, one of the crowning achievements of the redesign was reducing the ride posting sequence down to one screen. Splitting some of the smaller components into half-screen options pushed the available information closer to the top, and the introduction of label-button components that horizontally scrolled shaved away the unnecessary interaction of choosing available options from a dropdown and confirming. Label-buttons also had the added benefit of indicating availability, and automatically updated based on the timeline, so if you selected an earlier time in the day, only the later options were selectable for the return option. Another key UX component was the incrementation fields. A user could either tap the respective plus or minus icons, or tap the central number to type in a value. In sum, the features implemented in the redesign intuitively covered a vast number of use cases, encouraged key interactions, all while robustly accommodating other scenarios.

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More than just an app
Illustration and art pushed the spectrum of the adventure brand beyond a product and into a lifestyle.


Marketing was key to the success of the app, and the brand was substantial enough to prompt Zipcar to reach out to us inquiring about a partnership. Strong messaging on our posters and bold colors solidified Wanderlift’s reputation as the cool, fit, spontaneous, and amiable buddy everyone wanted to be friends with. The college crowd was easy to entice with the FOMO copy we had, but we didn’t want to isolate the rest of our market, so we drew-up some stylized thematic stickers for a few of the popular mountains our users indicated during some market research. We were inspired by classical swiss ski posters from the 1940’s and 50’s and aimed to blend their stylistic elements with modern geometries. The stickers were a huge hit with the full spectrum of our market, as the older crowd leaned towards the classier Vail sticker and the younger crowd picked up more of the Keystone stickers. The size was perfect: small enough for laptops, water bottles, and accessories, but large enough to still show off the detail in the artwork.

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